OUT IN THE OPEN
(On
the occasion of the Chatham-Kent Museum’s storage exhibition, March 31, 2016)
My African home is far from these walls of
chrome, but I wait
and watch.
Nurse comes with her white gloves,
gently removing four jewelled hair clips
from their box of cedar velveteen,
laying them smoothly on a bed of porous
foam.
I am
out in the open now
witnessing Charon’s reckoning.
Each is given their number,
identified, classified, categorized,
but
on my tome ledge
they pass by. Odd mastodon teeth
chatter in their glass;
my only companion is nested in her
casket of carefully woven linen,
far from river reeds of old;
I’m
out of the closet
Guitars, lap harps, megaphones that once
sang in a cacophony of light
now stored,
but
in a safe space
breathing and live.
I’m
out of the dark
time pieces, milk bottles, my Bon Ami and a
cyclops
eye
authenticized and imparting pointed purpose
to the particulars in our lives.
Vein-thin flags, garments and
balled gowns from a fading familiar past
yet
wait still and silent
for
your eyes to give us voice.
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