Glass
Birth
Inside the oven’s core
awaits molten sand and
cullet, broken shards that
have long since lost their
lives and returned to an ash of
soda and lime, gametes ready
for mitosis
at 2,200°.
Jason, like Gepetto
before him,
gently gathers a gob of
swirling
zygote, like honey on
the end of
a wand, turning to keep
it latched.
He dips it into a petit
bundt
mould, giving it edges,
a core
of ridges to form a
heart
and life.
Colours are added from
the sulphides
and oxides of the
Earth: blue
from the cobalt, sun
yellow from
the cadmium, and a red
of
Mesopotania’s ancient
gold
chloride.
Jason’s gaffer pinches
the ends,
pulls the soft swirls
forward,
turning creation at the
glory hole
to add radiant layers
of a shiny
new epidermis. He
strokes the
newborn head, limbs,
coaching it to reveal
its own
unique
character.
Once gestated, iron
scissors,
clamp and pull at her
base,
water is added as the
anti-
element, creating
stress. Cut from her
maker, her annealing
convalence into
the world
begins again.
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